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#1
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![]() Newbie Groupe : Members Messages : 2 Inscrit : 21 déc. 05 Lieu : New York - US Membre no 74,208 ![]() |
I work on film productions as a sound guy. I wanted to get into post sound.
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#2
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![]() Maniac Member ![]() ![]() ![]() ![]() ![]() ![]() Groupe : Members Messages : 645 Inscrit : 17 mai 02 Lieu : Broughton Membre no 4,705 ![]() |
Bit rate is more important than sample rate - so 24-bit/48kHz is a very decent, totally professional standard for recording. Personally, I don't like the Mbox or Pro Tools, but there's nothing wrong with its tech spec. Everyone likes to have 96kHz interfaces these days, but I bet hardly anyone is really using that particular feature.
If you do look at the Mbox, see how loud the preamps go - there have been a lot of complaints that they're not loud enough. The Firebox preamps are actually pretty quiet, too - sound great, but quiet. A dedicated mic pre is always the way to go. There was also a very, very long thread on these forums when the Mbox 2 was first announced - you might like to read through that. Do a search - lot of interesting comments ![]() |
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