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> A Look At Arabic Music Scales, This is very intresting
bandar
posté jeu. 28 août 2003, 07:10
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Hello Mac Musicians.... :-)

I am a new member and this is my first post...

I am a music composer from Saudi Arabia (I have nothing to do with terrorism or politics) and i came to find that most musicians in the western world do not have a good idea about the richness of arabic music...

I am so much in favor of arabic music, because it is very rich in term of scales and styles... as i studied music, i came to find out that western music has two main scales (major and minor) and few other sub scales (as harmonic and jazz and few others i do not recall). On the other hand, Arabic music has over 8 main scales, and a total of 99 (main and sub) scales... not to forget that a new scale was invented (and certified) three years ago, taking the number to a total of one-hundred scales.

Western music is based on the (half tone distance), Arabic music is based on the (quarter tone distance) meaning that between every two notes (next to each other like C and C#) in the western scale, there is an extra note in the arabian scale...( which is C "half sharp" )

One other great thing is that the two main western scales (Major and Minor) are among the eight main scales of arabian music, fitting perfectly with the other ones, and named AJAM for Major and NAHAWAND for Minor...

One good website explaining Arabic scales is : http://www.maqamworld.com/

the word MAQAM is the arabic word for Scale (or Key signature).

this website is listing 40 of the 100 scales with MIDI and Notation samples and i think it is a very good resource for learning about Arabic Music...

Let me know what you guys think......

Enjoy,
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guitartabbooks
posté mar. 16 sept. 2003, 16:05
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Hey,
That was great. Thanks for sharing that.
Other good scales to learn for dissonant, or far eastern sound are diminished, hungarian and harmonic minor.
I favor the harmonic minor as shown below in the key of A.
A Harmonic Minor (Gypsy Scale)
A B C D E F G# A B C D E F G# A
e :-----------------|-----------------|-------4--5------|
B :-----------------|-----------------|-5-6-------------|
G :-----------------|------4-5-7------|-----------------|
D :-----------------|-6-7-------------|-----------------|
A :-------5-7-8-----|-----------------|-----------------|
E :-5-7-8-----------|-----------------|-----------------|

Or, as played in guitar licks for example:


h p h p s
e :-5-4-5-4---------|-----------------|-----------------|
B :---------6-5-----|-----------------|-----------------|
G :-----------------|-7-5-4-5-4-------|------------2----|
D :-----------------|-----------7-6---|------------2----|
A :-----------------|-----------------|-8-7--------0----|
E :-----------------|-----------------|-----------------|


--------------------
You Can Play GuitarPractice Your Scales!
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jayzen
posté jeu. 15 janv. 2004, 16:37
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Very interesting indeed.

I have been listening to some arabic music lately at a local cafe where the owners have a great CD collection, they are always playing music from their home country and the arabic world.

My question, is - is there a sense of Harmony in arabic music? You mentioned that there are many scales and notes between western notes. I am quite used to hearing singers and musicians play along these scales, but I don't recall hearing much harmonic movement, although perhaps I am not "tuned into it yet."

Curious?
Thanks

jason
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bandar
posté jeu. 15 janv. 2004, 16:58
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unfortunately, arabic music can be recognized as a solo performance... harmony is very rare... most composers concentrate on the main solo and they change from one scale to another and back but after the main solo is composed, usually comes the instermant arrangement without any base that can act as a harmonic company... if base is madeup, usualy will sound like the drums...

once i have time, i'll upload in my personal site some midi samples

:-)

Jayzen, am sure you are a good musican that will hear the harmony if it was there....
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jayzen
posté ven. 16 janv. 2004, 14:24
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Hi bandar,

Thanks for your compliment, yes I guess I would have heard it if it was there - just wanted to be sure. biggrin.gif The solo performance aspect is very interesting, I have heard music of this type, where the male vocalist is singing up and down the scales and very emotionally involved. One new album they have acquired at the cafe I visit has a 20+ minute song with the singer going up and down, up and down a scale, there are no "chord changes" but he is building something estatic and it really involves the listener.

It sounds very spiritual and a real unique type of expression. Is this type of performance improvised or are these passages written for singers to perform? (hope I'm not being too general)

I guess the descendent or branch of this type in the west is flamenco singing, I think some of the flamenco singers are singin the notes in between our half tones also, as well as bending and sliding through notes as well.

Modal music would also be similar I think because of an emphasis on the solo performance, the scale, and a building of long passages without interruption by chords...

-j
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waleg
posté mar. 30 mars 2004, 16:17
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Hi bandar,

I really like what you wrote on the arabic music. I'm inviting you to write on WALEG.COM about arabic music, you can send me your article, and i will be glad to publish it for you under your name smile.gif

Thank you

Ziad. smile.gif

Ce message a été modifié par kaboombahchuck - mer. 28 avril 2004, 01:52.
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bandar
posté mar. 30 mars 2004, 17:00
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this type of performance is improvised by the talented ones... they just let out their feelings ... and after the performance, someone might write that as a sheetmusic and start to reperforme it...

new artists just follow the big ones.... they can improvise, but they might screw-it-up ... they might move to a new scale and not be able to go back to the original scale... in this case, they might not be able to complete the song... it might be their last day singing...

it is safer to follow the experienced ones... because they sound and feel much richer ... that is for you jayzen...

Ziad, thanks a lot.... i need some time to prepare it ....
give me a while ....


smile.gif angry.gif
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waleg
posté dim. 18 avril 2004, 20:48
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Hello bandar,

I hope you prepared something to publish it for you on WALEG.COM, i really look forward to hearing from you, My brother is a musicans and i also believe you might do something together smile.gif

Ziad
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alxonline
posté sam. 24 avril 2004, 22:44
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hi everyone!

my name is alx and i'm from romania.
i would have a question..as i assume u do know a lot of arabic songs and singers.

well, back in 1999 i heard an arabic song that was sang by a woman who was dressed up as Cleopatra (the video), laying down on something inside a pyramid and the video also had some war scenes! i saw it a couple of times but I CAN'T remember WHO SANG it!

if someone can help me track it down, write to me at alx-online@go.ro
thank you!
i really appreciate!
alx.
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Jaysee
posté dim. 25 avril 2004, 17:28
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Hi,
One of the best resources I've ever come across re scale construction from a 'western' classical point of view, is Nicholas Slonimsky's exhaustive "Thesaurus of scales and melodic patterns", it must cover just about every possible permutation of notes under the sun! I know a few 'jazzers' friends who've found it useful. I'm sure someone told me that John Coltrane studied it for a while, but I may be wrong.
Also the guitarist Allan Holdsworth had an instructional video/book published a few years ago outlining his unique, personal take on what he termed the 10 most useful scales for improvising (although they barely scratch the surface of what that guy plays, amazin' player!) It's called "Just for the curious" That one is well worth a look for keyboard players as well as guitarists.
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