 Vocal Recording Techniques, What makes for good technical vocal |
|
|
2 Pages 
1 2 >
|
 |
Réponse(s)
(1 - 9)
|
|
 sam. 13 mai 2006, 23:55
|
Newbie
Groupe : Members
Messages : 10
Inscrit : 18 févr. 04
Lieu : Milwaukee - US
Membre no 36,120
|
Hello,
You are correct that a good vocal recording starts with the person on the mic... it then follows the signal chain all the way down the line:
In an ideal world you would match the right mic and Preamp with the vocalist... all of these items will determine the quality of your recording
the quality of the vocal mic > quality of the Preamp/compressor > quality of the A/D on your audio interface > compression and EQ applied the vocal once it is placed in the mix.
Please post your mic/Preamp/ audio interface/ and compressor you are using.
Otto
|
|
|
|
|
|
|
|
dim. 14 mai 2006, 04:58
|
Newbie
Groupe : Members
Messages : 10
Inscrit : 18 févr. 04
Lieu : Milwaukee - US
Membre no 36,120
|
Hello,
A compressor is basically a variable gain device, where the amount of gain used depends on the level of the input. The gain is automatically reduced when the signal level is high which makes louder passages softer, reducing the dynamic range.
In the studio, compression is a useful tool when cutting tracks and adjusting the mix. For example, in a session the singer may be moving to and away from the mic, and a little compression will even out the volume changes that would otherwise be recorded. Once the tracks have been recorded, a compressor gives you a way to adjust the dynamic range of the track and balancing the tracks. Using an appropriate attack time, the naturalness of an instrument's sound will get through before the compression sets in. In some cases, compression may even reduce the need for equalization.
A Limiter processes your sound files using a sophisticated algorithm. Single peaks exceeding a user-defined level are softly compressed in such a way that the result cannot be distinguished from the original by the human ear. This permits rising the main volume of the sound file considerably without causing clipping or distortion!
EQUALIZATION (EQ) - boosting or cutting various frequencies in the spectrum of a sound.
That being said... sadly it is going to be difficult to get that "CD" quality vocal sound with a $120 Mic going straight into an inexpensive audio interface.
That "classic vocal sound" that you desire it the combination of very nice gear in the hands of a professional.
Buy the best mic/preamp/ Analogue to Digital Converters / audio interface/ and Monitors(speakers) that you can afford if you really want to get a few steps closer to that sound you desire.
Welcome to the club, the price of admission is high,
Good Luck!
|
|
|
|
|
|
|
|
lun. 15 mai 2006, 08:02
|
Newbie
Groupe : Members
Messages : 4
Inscrit : 06 juin 05
Lieu : Austin - US
Membre no 66,526
|
Though it is true that a Neumann, (I own an M 147), or similar microphone will give your vocals (and other intruments) greater depth and clarity, unless what you're recording is vocal-critical, ie., dependent upon the nuance and sybillance of the vocalist, you can get the sound you need from almost any microphone if used properly. By "properly" I mean "know your microphone." Take it outside and let it record normal, everyday sounds. Then, stand 8" in front of it and speak loudly, "This spring I've purchased a pot and a passle of pigs." Repeat these words at varying distances and at different volumes. I gaurantee you will learn more about your microphone in 15 minutes that you knew about your other mics before you sold them on ebay. You will also get to meet your neighbors if you haven't already!
In regards to compression, I use it to bring all the elements of the music into synch. As long as you have tracked to a click or some other reference, compression can bring your tracks into perfect allignment, wherever your ears tell you that is. Remember, there are as many variables as there are musicians so at the very least count each instrument in the mix as its own entity worthy of its own "place". You'll be surprised how often the seemingly smallest component in the mix can be manipulated to get the "big" sound you want.
Ce message a été modifié par faradaze - lun. 15 mai 2006, 08:26.
|
|
|
|
|
|
|
|
lun. 15 mai 2006, 11:42
|
Newbie
Groupe : Members
Messages : 10
Inscrit : 18 févr. 04
Lieu : Milwaukee - US
Membre no 36,120
|
While I do agree that it is critcal for every user to get to know all of their gear inside and out, trying to get an SM58 to sound like a (U47,U87,C12, or Blue Bottle) is not going to happpen for most people.
I have however been doing a demo and writing a review of M-Audios new Sputnik mic (Large diaphagm/Tube) and for $470 street price this thing is very impressive.
I am in the process of doing direct A/B comparisons with the above mentioned mics into some vlery nice preamps by Neve, Summit, Avalon, and even M-Audios very own Tampa.
After the first two days of testing I am very confident that for $470 for the Sputnik Mic, and about $330 for the Tampa Preamp you would be taking a very large step toward getting that sound you desire, and for a relatively small amount of money.
Just my 2 cents
PS - And no, I dont work for or have any affiliation to M-Audio, I just firmly believe that they are truely the leading company in trying to put high level gear in the hands of the bedroom musician... and at the same time a lot of "Pro" users are picking up their stuff as well. Nothing but good things to say about what they are trying to do
|
|
|
|
|
|
|
|
mar. 16 mai 2006, 14:27
|
Newbie
Groupe : Members
Messages : 5
Inscrit : 06 janv. 06
Lieu : Las Vegas - US
Membre no 74,867
|
For recording vocals a pre-amp is SUPER important. I use an Grace Design model 101 and it makes a gigantic difference in the vocal.
|
|
|
|
|
|
1 utilisateur(s) sur ce sujet (1 invité(s) et 0 utilisateur(s) anonyme(s))
0 membre(s) :
|
|
|
