Ambient Noise |
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jeu. 12 déc. 2002, 00:16
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Rookie
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Messages : 37
Inscrit : 30 nov. 02
Lieu : Ooze - BO
Membre no 9,707
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What exactly do you mean by "Ambient noise"?... That's pretty vague... Is it ambiences such as winds, traffic, crowds...?... Can you be a little more specific?... There are sound libraries available for almost any kinds of sounds, realistic (Sound Ideas, Hollywood edge, Digiffects...) or abstract (Distorted Reality, various FX CD's such as the excellent XFX for those who know it...). Also, many plug ins or stand alone apps now provide a wide range of those stuffs: Atmosphere, Reason, ... As far as the beating heart is concerned...may I dare to tell you that this has been used over and over and over and over again?...
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I will not call my teacher "Hot Cakes''...I will not call my teacher "Hot Cakes''...I will not call my teacher "Hot Cakes''...I will not call my teacher "Hot Cakes''...I will not call my teacher "Hot Cakes''...I will not call my teacher "Hot Cakes''...
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ven. 7 févr. 2003, 13:05
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Newbie
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Membre no 11,480
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Listen to California's Bastard Noise for the best extreme ambient noise www.desolationhouse.com - they have a sample mp3 track on there somewhere.
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sam. 26 avril 2003, 00:55
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Newbie
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Two ways to do ambience, that I can think of. Raw - get a portable dat recorder with a microphone. Carry it with you to places that have natural ambient noise, factories, junk yards, empty warehouses... etc. Synth - get a hardware synth. Set the oscillator to noise, play with the filters and lfos to create individual textures. Record them. Manipulate to taste, either by layering, crossfading, timestretching, pitchshifting, etc. etc. Using sample CDs isnt really musicality. Create something, don't copy something. Scotty
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lun. 12 mai 2003, 00:23
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Newbie
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Lieu : Emeryville - US
Membre no 17,727
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I assume you are looking for something that listeners will feel more than they hear, right? Sound that is played around the body of a track to make it seem thicker and fuller? Try using noise on an oscillator and modulating it with cutoff and LFOs. I get great sound using this technique. You can get sounds that people will never notice, but become a crucial element to the body of a track.
Also, try adding reverb or chorus to your sound. If you need it even bigger, use the same sound on two tracks and pan them both hard left and hard right. This will spread your stereo field. Ambient, after all, should surround the listener, so you may have good luck with this.
Dan
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