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> Chaging Sound With Midi Control
Muxy
posté ven. 13 juin 2008, 07:44
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Hi,

LIVE 6

I'm looking for the way to change sound via midi controller like in mainstage

So, I would like to affect a button to UP and another to DOWN sounds or tracks.

Is it possible ?

BR

:: Vinz
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HaraldSchneller
posté sam. 14 juin 2008, 09:20
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" I'm looking for the way to change sound via midi controller like in mainstage
So, I would like to affect a button to UP and another to DOWN sounds or tracks."

It is possible, but how?

As far as I know, you assign a midi message (changing volume or any parameter)
to a switch, ON/OFF, temporarily ON/OFF, On while pressed, and reverse, or to a pedal with parameter values from 0 to 127 floating,
well, hopefully.

For example, any other brand will do, a Roland FC-300 with assignable switches and 2 pedals sends midi messages to an Axon AX-50 USB (a digital guitar) and from there to channel strips in Logic 8 or any other sequencer program.

Assume, every unit is working as a stand-alone unit, some work together partially.

The next question is, how to setup
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jeffcloke
posté dim. 15 juin 2008, 07:11
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QUOTE (Muxy @ Fri 13 Jun 2008, 06:44) *
Hi,

LIVE 6

I'm looking for the way to change sound via midi controller like in mainstage

So, I would like to affect a button to UP and another to DOWN sounds or tracks.

Is it possible ?

BR

:: Vinz



QUOTE (jeffcloke @ Sun 15 Jun 2008, 05:59) *
QUOTE (Muxy @ Fri 13 Jun 2008, 06:44) *
Hi,

LIVE 6

I'm looking for the way to change sound via midi controller like in mainstage

So, I would like to affect a button to UP and another to DOWN sounds or tracks.

Is it possible ?

BR

:: Vinz



Well I use the M-Audio X-Session pro as my MIDI controller with Live 7 as my standard setup on an iBook G4 and it works like a dream. Any Live parameters can be controlled, including up/down/start/stop. I also use the iBook keys to control things like effect on/off and filter shape.

Now how to set it up? Couldn't be easier: Read The Manual!! For Live 6 it's in Chapter 23 on page 283.
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