MacMusic.org  |  PcMusic.org  |  440Software  |  440Forums.com  |  440Tv  |  Zicos.com  |  AudioLexic.org
Loading... visiteurs connectés
 
Reply to this topicStart new topic
> Dda D-series For Recording
abelsna
posté mar. 19 févr. 2008, 11:34
Message #1


Newbie


Groupe : Members
Messages : 6
Inscrit : 19 mai 07
Lieu : Copenhagen - DK
Membre no 91,308




Hey

I have been offered a DDA Arena (D-series) console for about 1000 euros. Its in good shape and have been in a non smoking studio. As far as i can remember its a live console and not for recording, therefore i'm a little uncertain whether to buy it or not. I know its a 8 bus console but does anybody know if it has direct out on all channels or what the configuration is?

Sometimes i record on tape ( a tascam MS-16, 16 track 1-inch) and sometimes in protools (digi003 + rme octamic). I have used a behringer MX8000, and is currently using a soundtracs fmx-series (only 8 mic preamps)

Any help would be nice!

THanks
abelsna
Go to the top of the page
 
+Quote Post
tommy96
posté ven. 19 mars 2010, 07:52
Message #2


Newbie


Groupe : Members
Messages : 4
Inscrit : 19 mars 10
Membre no 113,347




So-called electro-acoustic guitars are usually designed specifically to sound good when amplified over a PA system. The design compromises involved in making a guitar that amplifies easily without feedback mean that many such guitars sound rather 'dead' when played unamplified, compared to a good dreadnought or jumbo instrument. However, you say that yours sounds good when you play it, so it ought to be possible to record it reasonably well. Acoustic guitars won't come over very well unless you use a good condenser mic; many professional engineers would prefer a small–diaphragm model such as a Neumann KM184, although you can get excellent results with much cheaper mics such as those made by Rode, AKG, Audio-Technica, CAD and so on. If you're using a dynamic mic you will inevitably lose much of the sparkle and clarity that a good condenser mic will capture. Mic placement is very important. The usual default is to point the mic at roughly the spot where the neck joins the body (rather than directly at the sound hole), from a distance of around 12 inches, but you should experiment with different placements.
--------------------------------
armani sunglasses | serengeti sunglasses | revo sunglasses | fendi sunglasses
Go to the top of the page
 
+Quote Post

Reply to this topicStart new topic
1 utilisateur(s) sur ce sujet (1 invité(s) et 0 utilisateur(s) anonyme(s))
0 membre(s) :

 

Bienvenue invité
Contribute
PcMusic est VOTRE site! Participez à son évolution...
Version bas débit - dimanche 22 déc. 2024, 17:20
- © PcMusic 1997-2007